Towering piles of mulch were artfully Christmas Skeleton With Smiling Skull Drinking Coffee Latte T-Shirt B0BN18X8RZ .Arranged in a Brooklyn warehouse this week to form a runway for the Alexander McQueen Fall/Winter collection. Creative director Sarah Burton took inspiration from nature, namely mycelium, an underground root-like fungus that connects trees and transfers nutrients between plants. A metaphor for interconnection and community, the theme is also reminiscent of earlier collections from the late Lee Alexander McQueen, who drew inspiration from animals and the elements. “Mycelium has the most profound, interconnecting power, relaying messages through a magical underground structure, allowing trees to reach out to each other when either they or their young need help or are sick,” Burton said in a statement.
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At the show (held in New York for the first time in 23 years), this idea translated to an explosion of kaleidoscopic mushrooms Christmas Skeleton With Smiling Skull Drinking Coffee Latte T-Shirt B0BN18X8RZ . Vibrant colours, fungi embroideries and psychedelic visuals all punctuated the London-based label’s new line. Punk-inspired black designs were injected with pops of colour. Traditional McQueen leather wares like jackets, biker dresses, tops and trousers were accentuated with bondage elements like spikes, belts and straps. The trippy collection leaned into natural imagery, parading pieces in acid yellow, neon green, bright red and glowing silver while incorporating dramatic detailing like sequins, beading, ruffles, fringe and exploding tulle to produce mushroom cap silhouettes. Among McQueen’s models was Kaia Gerber, who donned a one-shouldered dress adorned with crystals, silver beads and pearl oyster mushroom embroidery, inspired by one that Burton saw growing outside a window of her office building months ago. Burton used asymmetrical silhouettes to bring the collection’s fungi theme to life. Dresses with deconstructed corsets, trousers with slits and shredded, fringed sweaters with bright designs solidified McQueen’s new dedication to vibrancy and energy. In line with the tailoring seen in New York, Paris and Milan, the clothing featured sharp-shouldered suits that look like they’d been spray-painted in psychedelic designs. The prints were a callback to one of Alexander McQueen’s most famous runway moments, the 1999 show No. 13. At the end of the presentation, two extended robot arms sprayed a white dress worn by model Shalom Harlow in black and neon yellow paint.
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